PDF LINK HERE
A Compassionate Obsession by Barbara Balzer →
While researching the conceptual potter Ehren Tool for this article last year, I noticed his CV didn’t include the whopping $50,000 United States Artists Fellowship (USA Fellowship) he was awarded in 2010. When I asked him about it, he said, "Oops." Fascinated, I pressed him on it. "I just make cups all the rest of this stuff is really a pain," he answered, similarly disinterested in unnecessary punctuation. The guy who has given away over 25,000 – and counting – of his hyper-embellished "please-think-about-war" cups, is not kidding.
Returning disaffected from the 1991 Gulf War, the third-generation military man, upon landing, wanted to talk about war. Incessantly. For the unpleasant, even brutal, ideas Ehren wanted to share, he circuitously found a novel way to initiate, if not force, conversation: through the intimate surface of a simple cup. On the way, he found both a place to begin self-healing from witnessing war-time depravity and waste and to commune with his fellow marines, their fathers, mothers, siblings, spouses, friends, survivors, and his admirers are a subset of Americans for whom war is not an abstraction. War is a source of profound disenchantment, reorientation, and loss. His wife calls them "war awareness cups."
No matter what Ehren says, his cups are more than "just cups"; they are an important contribution to contemporary ceramic art. They are included in permanent collections across the continent, from the Renwick Gallery of the Smithsonian American Art Museum in Washington, D.C., to the Scripps Collection at the Ruth Chandler Williamson in Claremont, California. They have been featured on PBS’s "Craft in America" and in the New York Times. In 2010, they won him that prestigious USA Fellowship, awarded annually to only 50 of America’s finest artists deemed to "illuminate the value of artists to society." But all of that is, clearly, beside the point for Ehren. His cups are, more importantly for him, where they are most intended to be: in the hands, homes, and hearts of marine veterans, their families, and friends. Read More
Save the Date - Signature Gallery Celebrates Local Artists
FSU alumna’s art “When the Sky Has No Corners” shows human connection and emotions →
FSU alumni Barbara Balzar has just premiered her ceramic art gallery “When the Sky Has No Corners” at Tallahassee Community College’s Fine & Performing Arts Center. Focusing on human behavior and moods hidden below masking faces and the human experience through myths and sculptures, the art is truly a display of creativity and ingenuity. Read full article here
When the Sky Has No Corners to Open at TCC Fine Art Gallery →
The Fine Art Gallery at Tallahassee Community College will host When the Sky Has No Corners, an exhibit by international award-winning figurative ceramic artist, Barbara Balzer. An opening reception will be held on Thursday, September 7, from 5 until 7:30 p.m. and is open to the public. The exhibit runs through October 12.
When the Sky Has Corners - TCC Show September 7 - October 12, 2023
BRINGING EVIDENCE at the WATSON MACRAE GALLERY NOV 15 - DEC 31 2021 →
How to Sculpt a Head out of a Cube Workshop with Barbara Balzer →
Figure in Form Exhibition at Lemoyne Arts
Best In Show at the 34th Annual Spring Into Art Gala →
"The Rhetorical Assassin" was awarded "Best of Show" at the 34th Annual Spring into Art Exhibition at the Turner Center for the Arts in Valdosta, Georgia.
FRIDAY FIGURATIVES →
Opening April 2, 2021 at Signature Gallery.
Civil Rights: Then & Now
LeMoyne Arts Exhibit Opening Thursday, February 11th, from 5:00 - 7:30 pm, with the exhibit, Civil Rights: Then & Now.
For Black History Month, LeMoyne Arts will reflect on artwork inspired by the civil rights movement in the 1960s compared to contemporary artwork today. The exhibit will showcase Karl Zerbe’s Civil Right collection from the 1960s (informed by the incarcerations in Albany, GA). Contemporary artwork from regional artists will depict the civil rights movement of our time.